The Audible Past

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 9780822330134
Size: 28.11 MB
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He's come here to give us the lowdown on how the technology evolved. Think of the book as a kind of sonic map of the origins of the way we listen to things around us, as a primer for the sonically perplexed."--Paul D. Miller a.k.a.

Mp3

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822352877
Size: 17.86 MB
Format: PDF, Docs
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Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication ...

Wissensgeschichte Des H Rens In Der Moderne

Author: Netzwerk "Hör-Wissen im Wandel"
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110523728
Size: 64.88 MB
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... in seiner wegweisenden Studie The Audible Past. Cultural Origins of Sound
Reproduction die weitverbreiteten Annahmen über das Hören in Abgrenzung
zum Sehen – wonach das Hören zu jeder Zeit und an jedem Ort als sphärisch gilt
, während das Sehen stets direktional sei, das Hören Nähe, das Sehen Distanz
erzeuge, das Hören die Emotionen, das Sehen den Intellekt privilegiere etc. – als
‚audio-visuelle Litanei' bezeichnet.4 Mit Sterne lässt sich argumentieren, dass
diese ...

The Sound Studies Reader

Author: Jonathan Sterne
Publisher: Routledge
ISBN: 0415771307
Size: 76.32 MB
Format: PDF, Kindle
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The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies.

Das Geschulte Ohr

Author: Andi Schoon
Publisher: transcript Verlag
ISBN: 3839420490
Size: 29.86 MB
Format: PDF
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Wie klingt der menschliche Körper? Wie ein rundlaufender Motor - oder wie ein unterseeisches Objekt? Akustische Medien erlauben es nicht nur, Klänge zu speichern und zu übertragen.

Living Stereo

Author: Paul Théberge
Publisher: Bloomsbury Publishing USA
ISBN: 1623565510
Size: 55.50 MB
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“The Theory of Binaural Audition: A Contribution to the Theory of Sound.”
Philosophical Magazine 7, series 5 (January–June): 181–97. Sterne, J. 2001. “A
Machine to Hear for Them: On the Very Possibility of Sound's Reproduction.”
Cultural Studies 15(2): 259–94. —2003. The Audible Past: Cultural Origins of
Sound Reproduction. Durham: Duke University Press. —2012. MP3: The
Meaning of a Format. Durham: Duke University Press. —2013. “Reverb and the
History of Perspective.

Sounds In Translation

Author: Amy Chan
Publisher: ANU E Press
ISBN: 1921536551
Size: 43.22 MB
Format: PDF, Mobi
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Subsequent volumes have taken up this challenge: Wireless Imagination: Sound,
radio and the avant-garde (Kahn and Whitehead 1992), The Soundscape of
Modernity: Architectural acoustics and the culture of listening in America, 1900–
1933 (Thompson 2002), The Audible Past: Cultural origins of sound reproduction
(Sterne 2003), Sound Matters: Essays on the acoustics of modern German
culture (Alter and Koepnick 2004) and Hearing Cultures: Essays on sound,
listening and ...