Paul Gauguin 164 Paintings And Drawings

Author: Maria Tsaneva
Publisher: Lulu Press, Inc
ISBN: 1304642887
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The significance of this stilllife seems to have been highly personal and it was
probably painted either while Gauguin was still in Copenhagen with his wife's
family or just after he arrived back in Paris with Clovis. The canvas in the
background can be identified as one from his collection by the artist Armand
Guillaumin, with whom Gauguin had painted in the summer of 1881. ... StillLife
with Mandoline 1885, Oil on canvas, 64 x 53 cm Lilac Bouquet 1885, Oil on
canvas, 35 x 27 cm.

Paul Gauguin Paintings

Author: Mildred Ferguson
Publisher: Mildred Ferguson
ISBN: 6050349800
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StillLife with Mandoline 1885, Oil on canvas, 64 x 53 cm The significance of this
stilllife seems to probably painted either while Gauguin was still in Copenhagen
with his wife's family or just after he arrived back in Paris with Clovis. The canvas
in the background can be identifiedas one from his collection bythe artist Armand
Guillaumin,with whom Gauguin had paintedinthe summer of 1881. The
mandoline was oneof the possessions that hetook on allhis travels andthe vase
is very ...

Gauguin And The Origins Of Symbolism

Author: María Dolores Jiménez-Blanco Carrillo de Albornoz
Publisher: Philip Wilson Publishers, Limited
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María Dolores Jiménez-Blanco Carrillo de Albornoz Guillermo Solana, Richard
Shiff, Guy Cogeval, Fundaciâon Caja de Madrid. 15- Paul Gauguin Lilacs, 1885 (
Bouquet delilas) Oil on canvas. 34.9x27 cm [Wildenstein 2001 n.168] Carmen
Thyssen-Bornemisza Collection on loan at the Museo Thyssen-Bornemisza,
Madrid Paul Gauguin The Inlet of Saint-Pierre seen from theAnse Turin,

The Triumph Of Colour

Author: Tomás Llorens Serra
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Paul. Gauguin. Vase of Flowers (lilacs) (Vase de fleurs [lilas]) 1885 Oil on canvas
34.9 x27cm Signed and dated lower left: "P. Gauguin 85" Provenance London,
Lady Baillie; London, The Lefevre Gallery; London, Aoir Alexander Korda (sold
by Sotheby's of London 14 June 1962, lot 21); London, Edward Speelman;
London, Sir Charles Clore (sold by Sotheby's of London, 3 December 1985, lot
10); New York, Sotheby's, 11 May 2000, lot 125; Carmen Thyssen-Bornemisza
Collection, ...

Colecci N Carmen Thyssen Bornemisza

Author: Museo Thyssen-Bornemisza
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Museo Thyssen-Bornemisza Javier Arnaldo. Paul Gauguin (1848-1903) Lilacs,
1885 Bouquet de lilas Oil on canvas. 34.9 x 27 cm Signed and dated lower left: "
P. Gauguin 85" CTB20004 Provenance London, Lady Baillie • London, Sir
Lawrence and Lady Olivier. 1950 □ London, The Lefevre Gallery, c 1954 •
London, Sir Alexander Korda • London, Sotheby's, Sale Sir Alexander Wolda
Collection. 14 June 1962. lot 21 • London, Edward Speelman • London. Sir
Charles Clore • London ...

Art In World History

Author: Mary Hollingsworth
Publisher: Giunti Editore
ISBN: 9788809034747
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His loneliness and desire to be part of an artistic community led him to invite
Gauguin to Aries. Gauguin arrived in October 1888, but the tensions between the
two artists contributed to a major nervous breakdown for Van Gogh two months
later; another breakdown in May 1889 was followed by a period. 15. Paul
Cezanne, Plateau with Houses and Trees. Pushkin Museum, Moscow. Canvas.
1882- 1885. Cezanne (1839- 1906) participated in the first Impressionist
exhibition but left Paris ...

C Zanne To Picasso

Author: Rebecca A. Rabinow
Publisher: Metropolitan Museum of Art
ISBN: 1588391957
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At first Paul Durand-Ruel, from whom he had already bought Claude Monet's
Cliflfs of Belle Lle (1886, Pushkin Museum; W 1084) and Degas's Woman
Comhing Her Hair, Toilette (1885, Hermitage; L 848), appeared to Shchukin to be
the most authoritative art dealer. In 1899 he obtained, also from Durand-Ruel,
Lilacs in the Sun by Monet (1873, Pushkin Museum;W 204) and the Avenue de l '
Ope'ra, Paris by Camille Pissarro (1898, Pushkin Museum; PV 1029). In 1900 he
purchased ...

The Painter S Garden

Author: Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main
Publisher: Hatje Cantz Pub
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A particular passage in the chapter "Les aspirations de Pautomne" touched him
so deeply that he hand-copied it for friends in 1873: "From here I see a lady, I see
her walk pensively in a not very large garden, bereft of its flowers early in the
season, but sheltered, as you see them behind our cliffs in France or the dunes of
Holland. ... They were meant to be hung in the guest room of his yellow house,
where Paul Gauguin would be staying, and they were filled with symbolic
meaning.